When the Status LED is lit, the Micro Synthesizer is in effect mode. FOOTSWITCH and Status LED – The Footswitch selects either effect mode or True Bypass. In all cases, highnumbered control settings increase the level of the given effect. OPERATION: The Micro Synth’s controls operate as described below. Please do not touch any other components when the bottom plate is removed or you risk damaging the circuit board or the components. Turning it counter-clockwise will decrease preamp gain. Turning the trim pot clockwise will increase the preamp gain. Look for the small trim pot in the lower left corner of the circuit board, it is labeled TRIM1 GAIN TRIM. To access the preamp gain adjustment, remove the bottom plate from the Micro Synth. A screwdriver or alignment tool with a tip width of no more than 1/16" is required. If you will be using another instrument with higher or lower output, it may be necessary to readjust this setting. PREAMP GAIN ADJUSTMENT: The preamp gain in the Micro Synth has been set at the factory for use with a guitar equipped with single-coil pickups. Using the wrong adapter may damage your unit and void the warranty. The Micro Synth requires 55mA at 9VDC with a center negative plug. WARNING: Your Micro Synth comes equipped with an Electro-Harmonix 9.6DC-200BI power supply (same as used by Boss & Ibanez 9.6 Volts DC 200mA). When combined, these controls offer the user a creative capability that is virtually limitless. In addition, a sophisticated swept filter control allows highly variable frequency adjustments to be applied to the overall output signal. The MICRO SYNTH can modify these signals with envelope control for a variety of “bowed” or “blown” sounds. Its four voices: GUITAR, OCTAVE, SUB OCTAVE AND SQUARE WAVE are completely independent and fully mixable. The Micro Synth can create some of the most popular synthesizer textures at a fraction of the cost for such capabilities. Please take a few minutes to familiarize yourself with the Micro Synth’s controls to learn how to get the best out of this special instrument. This is a very powerful tool for musical expression. Please note the following voice characteristics: MICRO SYNTH Analog Guitar Synthesizer Congratulations on your purchase of the Electro-Harmonix XO Micro Synth for guitar. Each voice is completely independent and can be mixed with the others in any degree. At £115, we can see many bassists getting plenty of gig mileage from this pedal - and having followed the anticipation for this unit online, we think many synth-hungry bassists’ prayers may have been answered.The next four controls of the Micro Synth comprise the VOICE MIXING section: GUITAR, SUB- OCTAVE (one octave below), OCTAVE (one octave above), SQUARE WAVE. The best bit about the Mono Synth is the price. The lower register notes offered by five-string basses are a challenge for units like this, but with some experimentation we found that there were certain synth types that this pedal tracked well with, even when grooving all the way down to the bottom of the B string. Naturally, active basses raise certain issues based upon the strength of their active circuitry and pickup output, so adjustments need to be made depending on your bass. The Sensitivity control works wonders when it comes to dealing with glitches based on your instrument’s responsiveness (or lack of it). Each synth setting is notably different from the last, so there are plenty of interesting options available to the player, all of which sound highly usable to these ears. The sound quality is quite stunning - possibly the most considered and thorough synth sounds we’ve heard using a bass guitar as a trigger. When you want to recall it, simply press the switch. The Bypass switch turns the effect on and off, while the Preset switch allows you to store a preferred sound for easy recall set the pedal as you require, press and hold the preset switch for three seconds and your control settings are stored. The manual gives you an easy-to-understand breakdown for each synth setting. The CTRL control has a different interaction with each synth setting, from decay and attack times to envelope filter resonance, sweep depth, oscillator volume and modulation rate. The Sensitivity control also has an effect on the sweep ranges of several synth effects. If your playing isn’t triggering the synth, turn the control up - but if you’re hearing ‘false’ triggers and resonance, turn the control down a touch. An LED indicator gives you a visual reference as to how ‘hot’ your signal is.
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